“Flamenco is a language that feels like my own mother tongue. I want to live dance with all my inner freedom. I just want to keep being me, and never betray who I am.”
New creation available on tour season 2019/2020 “Distopía”
“Any accomplishment of society on the path of utopia occurs in a dystopia. The protagonist of this story is in an apparently ideal society, so inexistent and broken, in which the personality of the individual is canceled. She wonders about the life she has lived and continues to live for which she is judged and abused in every way. It is a show with hard and deep content but full of light and beauty in its scenes and in which people can enjoy flamenco, dance and music carried by hand to the emotional burden of history. Patricia GUERRERO
Patricia Guerrero was born in Granada, in the Albaycín neighbourhood, in 1990. This dancer has deep flamenco roots, yet she has always loved exploring other styles of music and dance. Nonetheless, flamenco is her language, a language that she adapts to her own vision, a language that is always evolving with her.
Patricia Guerrero (Albayzín, Granada, 1990) got her first taste of flamenco dancing at home: at the age of three, she started classes at her mother’s academy and since then, her learning has been enriched by influences from a whole range of maestros, assimilating classical dance and classical Spanish dance as well as flamenco itself. Her precociousness was there for all to see from an early age. Her first public performance was at the Peña La Platería, when she was just 8 years old, and shortly afterwards, she performed alongside Juana Amaya at the Albayzín Flamenco Festival. At 15 she joined the Centre for Flamenco Studies directed by Mario Maya, whose company she was touring with as a cast member for Diálogo del Amargo (Dialogue of the Bitter).
Soon, Patricia Guerrero was starting to make a name for herself among fans and flamenco critics. In 2005 she won the Flamenco Art Contest of the City of Ubrique and in 2007, at just 17, she won the prestigious Desplante award at the International Festival of Cante de las Minas (La Unión). This award was a springboard to international success, paving the way for her to perform at some of the world’s most important dance events, such as the Festival de Jerez, the Düsseldorf Festival, the Festival of Music and Dance of Granada, the Youth Biennial of Seville, etc. In 2009, she was invited to join the Mario Maya tribute tour, travelling round the most important theatres and festivals in Spain.
A year later she presented her first solo show, Desde el Albayzín (From the Albayzín), which toured round Europe. At that time, Patricia Guerrero was also asked by Carlos Saura to perform as a soloist in the show Flamenco Today, with which she toured the world and performed on stages as famous as New York’s City Center Theater. This legendary filmmaker used Patricia again for the shooting of his film Flamenco, Flamenco, where she appears dancing Cuban guajira music, together with Arcángel and the choreographers and dancers Rafael Estévez and Valeriano Paños. That same year, she joined Rubén Olmo’s company for Tranquilo alboroto (Quiet Racket).
In 2011 Patricia Guerrero was named prima ballerina of the Andalusian Flamenco Ballet, directed by Rubén Olmo. From the many great performances during this period, critics have highlighted her memorable paso a dos alongside the maestro Antonio Canales in Llanto por Ignacio Sánchez Mejías (Lament for Ignacio Sánchez Mejías), and alongside Eduardo Leal in Metáfora (Metaphor). At the same time, Patricia Guerrero was moonlighting as a guest artist by Arcángel for his shows Olor a tierra (Smell of Earth) with the Academy of Piaccere, and Las idas y las vueltas (Comings and Goings), a fusion of flamenco and Baroque music which landed her the Best New Artist Award at the Bienal de Sevilla 2012. The special collaboration with Arcángel continues to this day, with the show Tablao, which premiered at the Teatro Real in Madrid in 2016.
In 2013 Patricia Guerrero premiered her second show, Latidos del agua (Water Pulses) at the Alhambra Theatre in Granada. The same year she also presented Touché, a collaboration with the violinist and composer Bruno Axel. Touché toured several major music and dance festivals: Jerez Festival, Festival of Zurich, Düsseldorf, Nimes, Central Theatre Seville, etc.
In 2014 Belén Maya invited Patricia Guerrero perform in her show Los Invitados (The Guests). Other leading figures in flamenco, such as Dani de Morón and Antonio Rey, also cast her in their shows as a guest artist. In 2015 she presented Doce Tiempos (Twelve Tempos) at the Festival of Italica, during which she shared the stage with contemporary dancer Raúl Heras. That same year she gave a solo performance in the Chaillot National Theatre in Paris in the show Cuando sueñan los ríos (When Rivers Dream).
In February 2016, for the twentieth anniversary of the Festival de Jerez, she presented Pórtico, a piece that gave a glimpse of what was to become Catedral, and later premiered at the 19th Bienal de Sevilla at the Lope de Vega Theatre. In this new piece of work, she put herself in the hands of a great stage director, Juan Dolores Caballero. In this exploration of the interior, the physical and the aesthetic aspects of her art, Patricia Guerrero is immersed in codes and languages of the theatre, and aims to construct characters through dance.
Catedral was named Best Show at the Bienal de Sevilla 2016 and received two nominations for the Max Awards 2017, including for Best Female Dancer.
In November 2017 she performed Don Quixote in the Chillot National Theatre (Paris), alongside Andrés Marín’s company.
Main awards and rewards:
2017 Max Prize – Nomination “Best Female Dance Performer”
Giraldillo “Best Show” at the Seville Flamenco Biennial 2016
Giraldillo “Revelation Artist” of the Biennial of Seville 2012
Prix Desplante (International Festival of Cante de Las Minas) 2007
In agreement with Endirecto FT – photo: @Naemi Ueta. em>